90 Day Fiancé: Reality In-Laws (Reality TV Podcast-Analysis)
90 Day Fiancé Recap Podcast (Reality TV Analysis)
90 Day Fiance S12 Tell All Part 3: Don’t be an LA Boy - Thomas & Paula In the Hot Seat
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90 Day Fiance S12 Tell All Part 3: Don’t be an LA Boy - Thomas & Paula In the Hot Seat

Subscribe and stay tuned for next week's recap of The Other Way!

Timestamps:

  • 00:00 - Kappie’s opening question

  • 05:35 - Melissa’s hypothetical: Melissa makes Kappie play “F, Marry, Kill”

  • 14:25 - Marissa & Edward: What’s the role of powerful emotions when making major life decisions? 

  • 22:10 - Melissa’s hypothetical: Which cast member would the in-laws choose as a houseguest?

  • 24:50 - Mallorie & Rashit: Does Mallorie act like Rash’s mommy?

  • 30:00 - Lunch break + Is it OK to have feelings for an ex? + Kappie’s 3 C’s Moment

  • 41:00 - Thomas & Paula: crazy glue, 100K, babies with nationality-reveals? Melissa’s pro-Thomas rant

  • 1:00:00 - Debby & Mido: Shea breaks down Mido’s virginity claim 

  • 1:06:15 - Ashia & Maxwell: Great candidates for The Other Way?

  •  1:10:30 - Thank you + Coming Up Next Week: 90 Day….The Other Way!

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Welcome to the family! 

Reality In-Laws: A 90 Day Fiancé Recap Podcast is your home for all things 90 Day, hosted by real-life in-laws MD Kappie (a comic actor) and Melissa (a guidance counselor).

Together, they deliver a heartfelt & philosophical relationship breakdown of 90 Day Fiancé and its spin-offs, such as The Other Way.

Melissa drops her standard counselor persona to deliver the absolute funniest, sharpest roasts of the night, pulling from her own unique perspective as an expat living abroad. Kappie, who recently married Melissa’s sister, brings his natural performer's eye to the screen, breaking down the couple's communication habits and core relationship dynamics.

New recap episodes drop weekly!

With Appreciation
-Bayes, Nora, “Cow Bells” Music by Al Piantadosi, lyrics by Sidney D. Mitchell, Columbia, 1922
–Jones, Isham, “It Had to Be You” Lyrics by Gus Kahn, Brunswick, 1924

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